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- W2318368445 abstract "ABSTRACT During the reconquest of Islamic territories on the Spanish March, Iberian lands witnessed a religious transformation enacted by the Christian victors and characterised by the resurgence of devotion to both old and new saintly figures. The present article explores how the music of saints represents, and thus interprets, issues related to violence and suffering so prevalent on the frontier. The chants for prominent saints in the area, Paul of Narbonne, Eulalia of Barcelona and Saturninus of Toulouse, are explored here in relation to how words and music interacted to illustrate the saints' position in relation to violence and suffering. Musical analyses trace how the topoi of orthodoxy in faith and confronting bloodshed with devout resolution are cast in the chants of earlier styles to those of the late twelfth century. Differences in musical depictions of these subjects underscore how the saints, in their changing sonic personae, were made to engage with the realities confronting Christian frontier communities." @default.
- W2318368445 created "2016-06-24" @default.
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- W2318368445 date "2014-02-26" @default.
- W2318368445 modified "2023-09-25" @default.
- W2318368445 title "Staging violence, suffering and orthodoxy in the chants of the Spanish March" @default.
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- W2318368445 doi "https://doi.org/10.1017/s0961137113000119" @default.
- W2318368445 hasPublicationYear "2014" @default.
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