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- W2318461410 abstract "My first anthropological study began in the early 1960s when I chronicled the northbound movement of African-Americans from rural Mississippi, Arkansas, and Louisiana to Chicago research that eventually led to the writing of All Our Kin.' Twenty years later, and back in the South, I watched daily the return of first-, second-, and third-generation urban dwellers following their own paths to rural southeastern homeplaces from midwestern and East Coast cities. I am currently completing a book about this dramatic return movement, Call to Home: African Americans Reclaim the Rural South.2 Using both memories and field notes for studies done nearly twenty years apart, I try in this paper to reconstruct the nature of my own comfort and conflict as an ethnographer in these two studies. In the context of the politics and scholarship of the times, I explore the nuances of doing and writing ethnography as a white working-class woman. I do this by reconstructing two ethnographic projects, one from the 1960s and the second from the 1980s, from the perspective of the present and looking backward. Dramatizing both writer and subject in the historical context, I attempt to engage in writing culture as feminist critical practice. political energy of the 1960s was churning in The Flats (the fictive name of the African-American community that is the site of All Our Kin) as well as in nearby neighborhoods and communities. Black Power leadership ignited relationships across community boundaries and new alliances emerged out of coalition politics. I was invited to participate in meetings with a group of welfare mothers from The" @default.
- W2318461410 created "2016-06-24" @default.
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- W2318461410 date "2018-03-05" @default.
- W2318461410 modified "2023-09-24" @default.
- W2318461410 title "Writing Ethnography: Feminist Critical Practice" @default.
- W2318461410 cites W1530604260 @default.
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- W2318461410 doi "https://doi.org/10.4324/9780429493843-4" @default.
- W2318461410 hasPublicationYear "2018" @default.
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