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- W2320330488 abstract "In 1985, three years after the death of Rainer Werner Fassbinder, Giinter Riihle, the intendant of the Frankfurt Kammerspiele decided to produce Fassbinder's provocative play, Der Mall, die Stadt und der Tod' [Garbage, the City, and Death], but instead he created a national scandal. The real play was never performed. Instead, another kind of dramatic spectacle occurred with German Jews in the audience taking the stage while simultaneously, a thousand people gathered outside the theater and protested against the production of the alleged anti-Semitic play. Charges and counter-charges followed with Riihle, who was also the play's director, supposedly asserting that Schonzeit fiir Juden in Deutschland vorbei war. Or, in other words, Germans should feel free to make Jews targets of criticism because they were no longer to be considered an endangered species. Despite the nastiness and trauma of this event, the so-called Fassbinder scandal was important for the Jewish community in Germany because it was the first time in postwar history that Jews of different generations and political persuasions united to voice their deep concern of how Jews were to be portrayed on the stage and in literature. Though the political action of the Jews was successful in stopping the production, it did not, however, answer many crucial questions that the demonstration raised. For instance, is there a correct way to represent Jews critically and positively in art? Is the situation in Germany such that Germans must be more careful than, let us say, Americans or French, in the manner in which they depict Jews? Is every negative portrayal of a Jew to be associated with anti-Semitism? If, until recently, as Rafael Seligmann has claimed in his book, Mit beschrankter Hoffnung, Jewish writers in Germany have not risen to the task of depicting the situation of German Jews and Jewishness in Germany with candor, how can one expect Germans to represent Jews in a forthright and free manner? To put the problem more provocatively, were German Jews upset by the Fassbinder play because Riihle was depicting a contemporary Jew in a critical manner in a way that contemporary Jewish artists had not done and" @default.
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- W2320330488 date "1999-01-01" @default.
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- W2320330488 title "Contested Jews: The Image of Jewishness in Contemporary German Literature" @default.
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- W2320330488 doi "https://doi.org/10.2307/3190186" @default.
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