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- W2320946531 abstract "A MERICAN cities contain block after block of houses that date from the latter part of the nineteenth and the early part of the twentieth centuries. The dwellings were built as single-family residences and originally composed neighborhoods that represented a new middle-class affluence for a growing segment of the American population. The majority of these neighborhoods escaped the massive urban renewal projects of the 1960s, but some of them became the focus of the back-to-the-city movement of the 1970s. They are ordinary places, undistinguished and, for the most part, overlooked segments of the American urban landscape. Some few of these neighborhoods have a significance that sets them apart. Among them is one that passed into the mystical realm in which the ordinary assumes allegorical proportions. James Agee fixed his Knoxville, Tennessee, in time with powerful and enduring remembrances. His prose poem, Knoxville: Summer of 1915, is an important short piece of twentieth-century American literature. The poem is more than a nostalgic recollection of a childhood: it is a statement of place that has emotional sense as well as succinct description. We are talking now of summer evenings in Knoxville, Tennessee in the time that I lived there so successfully disguised to myself as a child. It was a little bit mixed sort of block, fairly solidly lower middle class, with one or two juts apiece on either side of that. The houses corresponded: middlesized gracefully fretted wood houses built in the late nineties and early nineteen hundreds, with small front and side and more spacious back yards, and trees in the yards .... The specific place of which Agee wrote is the 1500 block on Highland Av" @default.
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- W2320946531 date "1983-04-01" @default.
- W2320946531 modified "2023-09-24" @default.
- W2320946531 title "The Transformation of James Agee's Knoxville" @default.
- W2320946531 doi "https://doi.org/10.2307/214641" @default.
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