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- W2321104313 abstract "Theresa M. Kelley’s expertly rendered Clandestine Marriage provides a powerful and nuanced examination of the material and figurative presence of plants in the romantic era. Kelley argues that the “unruliness” of romantic plants, which “resist or exceed conceptual location,” raised difficult questions about individual and collective identities and challenged the “epistemological mastery” of nature promised by Enlightenment-era classificatory systems (8, 13, 4). This unruly “nature of romantic nature,” as Kelley demonstrates, can best be determined by examining the “productive friction” generated by organizing categories—of matter, species, cultural material, and poetic figuration—coming under question and into conflict (262). Kelley travels far afield in her discussion of romantic era plants. Chapters in the book examine the major taxonomic debates and figures of the era, the “material and cultural presence” of plants in botanical networks (correspondence and illustration) and in the writing and art of women botanizers, John Clare’s “botanical poetics”/politics, imperial botany, the philosophical metamorphosis of plants, and, finally, a study of romantic “orchid-mania” (57, 127, 247). In an effort to “introduce” her discussion of imperial botany, Kelley somewhat awkwardly brackets that chapter with “interludes”: the first introduces the topic by way of colonial botany in the Caribbean context, and the second, on Shelley’s “poetics of plant nature, growth, and decay,” reconnects to the philosophical dimensions of romantic plants (15)." @default.
- W2321104313 created "2016-06-24" @default.
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- W2321104313 date "2013-07-21" @default.
- W2321104313 modified "2023-09-24" @default.
- W2321104313 title "Clandestine Marriage: Botany and Romantic Culture" @default.
- W2321104313 doi "https://doi.org/10.1093/isle/ist070" @default.
- W2321104313 hasPublicationYear "2013" @default.
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