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- W2321438382 abstract "1.1 The Nouveau Roman brought about a radical shift in literary consciousness which was concretized in what has been called the practice of writing. foundation is a profound experience of language and of form and the demonstration of that experience in the writing of the novel which, transgressed, is no longer repetition and self-effacement but work and self-presentation as text. Its 'realism' is not the mirroring of some 'reality' but an attention to the forms of the intelligibility in which the real is produced, a dramatization of possibilities of language, forms of articulation, limitation of its own horizon (Heath, 1972: 22). This practice of writing, which French theoreticians call the scriptive process or the scriptive activity, at work in different ways in the Nouveau Roman in France, in meta-fiction, in surfiction in the United States, and in experimental novels in South America, is by now approached with a particular mental set. Its readers and practitioners do not expect and do not write narratives with beginning, middle, and end, unfolding linearily, and animated by a sense of direction. It is well accepted that Sch6h6razade deliberately ran out of plots, that representation can be generated while narrative is avoided, and that non-linearity, discontinuity, and fragmentation can organize texts.'" @default.
- W2321438382 created "2016-06-24" @default.
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- W2321438382 date "1980-01-01" @default.
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- W2321438382 title "Serial Constructs in the Nouveau Roman" @default.
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- W2321438382 doi "https://doi.org/10.2307/1772413" @default.
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