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- W2321825455 abstract "Raymond Williams has pointed out that hegemony never just passively exist[s] as a form of dominance. It has continually to be renewed, recreated, defended, and modified. It is also continually resisted, limited, altered, challenged by pressures not at all its own (112). Much has been written about the hegemonic dominance of liberal realism in white South African writing, a dominance which has been traced back to the 1883 publication of Olive Schreiner's Story of an African Farm.' Nor has it escaped attention that the aesthetics of liberalism in South African literature has constantly been pressured by alternate and counter formulations from both black and white writers working within a variety of ideological forms.2 The turbulent sixties and their aftermath, especially, have resulted in a literary and social crisis from which liberal aesthetics is unlikely ever to be resurrected in anything like its familiar form." @default.
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- W2321825455 date "1990-01-01" @default.
- W2321825455 modified "2023-09-26" @default.
- W2321825455 title "Interrupting the Hegemonic: Textual Critique and Mythological Recuperation from the White Margins of South African Writing" @default.
- W2321825455 doi "https://doi.org/10.2307/1345736" @default.
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