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- W2323220298 abstract "a variety of concert and musical-stage performances equal in quality to those given in larger provincial cities of Europe.' For example, Boston of Joseph Tinker Buckingham (17791861) contained a series of resident orchestras, usually small and made up of amateurs and professionals. One of earliest, Philharmonic Society, was kept alive by Johann Graupner and his music-loving associates from 1810o to 1824. Starting with mid-179o's, Boston also had its own theater, whose programs included music: an English opera for main presentation, an English musical comedy for an afterpiece, or favorite vocal and instrumental pieces between acts and inserted directly into spoken dramas. Beginning in 1815, Handel and Haydn Society gave sacred concerts. Moreover, every year visiting professional soloists, usually British singers, presented concerts with assistance of local musicians, or appeared as guest singer-actors in theater productions, or both. Add many private concerts, balls, and outdoor band performances, and a picture emerges of a seaport city open to world, becoming cosmopolitan in its tastes, and ready to enjoy music other than less-polished psalmody of native composers like William Billings. Of course, some Bostonians continued in old ways, rejecting secular music and abhorring the Devil's theatre. But others, who felt they were not compromising their religious beliefs or forfeiting supernal delights of hereafter, supported newer musical institutions. They attended concerts of secular music, watched musical-theater performances," @default.
- W2323220298 created "2016-06-24" @default.
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- W2323220298 date "1978-09-01" @default.
- W2323220298 modified "2023-09-25" @default.
- W2323220298 title "Buckingham's Musical Commentaries in Boston" @default.
- W2323220298 doi "https://doi.org/10.2307/364612" @default.
- W2323220298 hasPublicationYear "1978" @default.
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