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- W2324179910 abstract "This may be an unusual gap in knowledge; I suspect that it is not. Those contemporary textbooks that deal with production organization at all often do so in passing before moving on to the really important matters. My experience at conventions and reading the journals only reinforce Orson Welles' observation that people not involved with the commercial world of film making always want to talk about art, whereas he was a businessman. Welles told of a panel discussion in which he, Jean Cocteau, and Rene Clair were regarded as being cynical because we refused to talk about anything but what films cost.l I take the point of Welles' story to be that film study fails to consider that even recognized film artists are enmeshed in an industrial matrix. In our rush to establish the credentials of film as an art in the academic" @default.
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- W2324179910 date "1976-01-01" @default.
- W2324179910 modified "2023-10-14" @default.
- W2324179910 title "The Aesthetic Relevance of the Organization of Film Production" @default.
- W2324179910 doi "https://doi.org/10.2307/1224914" @default.
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