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- W2326212866 abstract "My concern with the performance of new music is almost completely involved with directing the University of Redlands New Music Ensemble, and hence with such performance as it functions in education. Since I have reason to believe that what we do in the Ensemble is successful, perhaps this discussion following will be of interest even though it does not concern me directly as a performer. The Ensemble, which was founded in 1970, is open to any regularly enrolled student of the University and its two cluster colleges. The student may participate for credit (1 semester unit) or not. The group gives four public concerts a year at the University and makes occasional appearances at other universities in Southern California. Redlands is a small liberal arts university with ca. 100 music majors. The ensemble numbers from 8 to 14, with the membership changing, to some degree, each semester. This of course means variable instrumentation and, since participants run from freshmen to graduate students, a problem of constantly varying musical experience and proficiency. Philosophically, the ensemble cannot help but reflect its director's preferences-or, if you will, prejudices. 1) Repertoire. Our programming is restricted almost exclusively to North American works written since 1965. My feeling is that the 20th century's classic masterpieces the works we are all familiar with by Stravinsky, Webern, Bart6k, Varese and the like-should by this time be covered in other performance groups concerned with all manner of classic masterpieces, and that present-day European music receives far too many performances in North America anyway. I do, however, include occasional works from the new British experimental composers-e.g., Bryars, Hobbs, Casken, Bedford, and David Jones. This places the Ensemble in the position of being the primary School of Music group (if not the group in a geographical area of some extent) concerned with bringing the music of our immediate time to audiences, and this in turn does cause occasional controversy between the Ensemble's programming and what persists as a fundamentally conservative general orientation of the Redlands student, in or out of the School of Music. Concert attendance is on the thin side, but our fans are devoted ones. (Recently, the University's new music performance possibilities have been expanded by the Paris (of the West) Bassoon Quartet, directed by bassoonist-composer John Steinmetz. The Quartet's spring sunrise concert is a high point of the season.)" @default.
- W2326212866 created "2016-06-24" @default.
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- W2326212866 date "1979-01-01" @default.
- W2326212866 modified "2023-09-25" @default.
- W2326212866 title "The University of Redlands New Music Ensemble" @default.
- W2326212866 doi "https://doi.org/10.2307/833002" @default.
- W2326212866 hasPublicationYear "1979" @default.
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