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- W2328739827 abstract "This article analyses the semiotic grammar of food in Jan Němec's surreal film Demanty noci/Diamonds of the Night (1964). After first locating Diamonds within the Czechoslovak New Wave and a tradition of Holocaust literature and cinema, I explore the film's representation of hunger and thirst. My analysis synthesises the film with Primo Levi's evocative meditation on the victims of the Holocaust, arguing that Němec's protagonists become a form of ‘living hunger’, and enter into a ‘condition of pure survival’. The film thus comments on the totalising Nazi mission and its attempt to desubjectify its victims by laying claim to their bodies." @default.
- W2328739827 created "2016-06-24" @default.
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- W2328739827 date "2016-03-02" @default.
- W2328739827 modified "2023-09-24" @default.
- W2328739827 title "The first need: hunger in Jan Němec'sDiamonds of the Night" @default.
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- W2328739827 doi "https://doi.org/10.1080/2040350x.2016.1155263" @default.
- W2328739827 hasPublicationYear "2016" @default.
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