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- W2330678476 abstract "A consideration of Coleridge's use of the means and end dialectic in his critical theory seems useful in a triple sense. It offers reinforcement to such sound protests as those of Alice D. Snyder, C. D. Thorpe, and Sir Herbert Read against the still prevalent notion that Coleridge's criticism, though relieved by rare brilliant insights, is otherwise the typical product of an extreme romanticism-lawless, subjective, undisciplined by any discernible method-further obfuscated by ill-digested German metaphysics. In a second sense, without denying the embarrassingly heavy debt to his German sources documented by A. A. Helmholz, T. M. Raysor, J. W. Beach, Rene Wellek and others. it links him to English criticism in an important aspect of technique. Thirdly, it reveals how he enriched this technique in an attempt to adapt it to an organic theory of structure. Unfortunately, the tone of Coleridge's own references to the importance of discriminating means and ends tends to obscure his English ancestry in this regard. Mr. Pope, he remarks in the Biographia Literaria," @default.
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- W2330678476 date "1959-09-01" @default.
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- W2330678476 title "Means and Ends in Coleridge's Critical Method" @default.
- W2330678476 doi "https://doi.org/10.2307/2871795" @default.
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