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- W2330835356 abstract "Abstract Even in its earliest and most elephantine forms the camera obscura was recognized by painters as a helpful tool of their trade. Soon after 1700 a portable version began to make its appearance in England, and as the century progressed it was used with enthusiasm by more and more artists as they sketched and painted their way throughout the length and breadth of the countryside, pausing here to record a Gentleman's Seat beside the Thames, and there to catch the grandeur of some ‘horrid crag’ in Derbyshire. Canaletto, the Sandby brothers, de Loutherbourg, Girtin and Crome all made use ofthe device. Sir Joshua Reynolds' model, still preserved in the Science Museum in London, assumed, when folded up, the elegant disguise of a leather-bound folio volume with ‘Ancient History’ stamped on its spine1. Amateurs happily followed in the masters' footsteps. From the latter part of the century Paul Sandby has left us a charming water-colour of one beginner, a lady standing by a river, her back turned to the picturesque ramparts of Rosslyn castle and her equipment hopefully trained on a featureless stretch of grass across the water.2" @default.
- W2330835356 created "2016-06-24" @default.
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- W2330835356 date "1980-07-01" @default.
- W2330835356 modified "2023-09-23" @default.
- W2330835356 title "Horace Walpole, William Storer and the Accurate Delineator" @default.
- W2330835356 cites W1979788312 @default.
- W2330835356 doi "https://doi.org/10.1080/03087298.1980.10441178" @default.
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