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- W2331075947 abstract "The problem of presenting the impact of African music upon the music of the Western Hemisphere, is indeed a difficult one, not because of facts and theories, but owing to the lack of universal knowledge pertaining to African music coupled with prejudice to any cultural contributions coming out of Africa, especially if it contributes to that culture of Europe and the Western World. Material can be found, however, to prove that in modern music there are certain aspects which may well come from Africa, and one only has to listen to the latest version of songs to catch an attempt at intricate rhythms, the more intri-. cate the rhythms, the hotter the music is supposed to be, and for some term to be used which could clearly define that type of music, we hear the word Jive or some other word which certainly doesn't sound like a member of the vocabulary of Basic English. When the subject was first presented to professors, it was met with derision. The idea had never occurred to them. That African music had any part in establishing the music of today was certainly a preposterous idea-, ludicrous. Naturally there must be some type of music in Africa, for all people make what can be called music regardless of its seeming peculiarities and differences from European music. There had been some research in African music but not in relation to its infusion with European music. It is necessary to present an analysis of African and American music to show the definite injection of African rhythms into the serious and popular music of the Americas. It is also significant to note that in modern music there is a tendency towards neoprimitivism and Polyrhythms." @default.
- W2331075947 created "2016-06-24" @default.
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- W2331075947 date "1945-01-01" @default.
- W2331075947 modified "2023-09-26" @default.
- W2331075947 title "The Impact of African Music Upon the Western Hemisphere" @default.
- W2331075947 doi "https://doi.org/10.2307/2292769" @default.
- W2331075947 hasPublicationYear "1945" @default.
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