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- W2331966181 abstract "Marxist literary criticism has been largely concerned with drama and the novel since the days when Marx planned his unwritten work on Balzac's Comidie humaine. Lyric poetry, with its traditional preoccupation with love, death, nature, and transcendence, has seemed resistant to critical methods seeking to discover in the literary work the reflection of specific social conflicts and historical conjunctures; it has seemed more amenable to purely formalist approaches. The New Criticism, the triumphant countercurrent to the Marxist criticism of the twenties and thirties, developed its power most convincingly in close and subtle readings of lyric poems that Marxism seemed powerless to confront as deeply. Marxists who have undertaken the analysis of lyric poetry have often attempted to import the techniques of novel and drama theory to the realm of the lyric and sought to find in individual poems the reflection of sociohistoric forces and conflicts. In what follows, I will examine the pitfalls of this procedure and then counterpose what I believe is a more fruitful Marxist approach to the lyric. A good illustration of what might be termed the novelistic or realist approach to poetry is Norman Rudich's article, 'Kubla Khan': His Anti-Political Vision, which argues that Coleridge's celebrated lyric-often taken as early example of symbolist podsie pure-is actually an adequate expression of Coleridge's estimate of his relation to his time.' Through the association of Kubla Khan with Napoleon-a link that Rudich attempts to" @default.
- W2331966181 created "2016-06-24" @default.
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- W2331966181 date "1981-01-01" @default.
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- W2331966181 title "Notes on Marxism and the Lyric" @default.
- W2331966181 doi "https://doi.org/10.2307/1207882" @default.
- W2331966181 hasPublicationYear "1981" @default.
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