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- W2331976028 abstract "I confess at the outset that I am somewhat surprised at the direction my response to Bernard Porter's vigorous and provocative essay has taken. That I find his acceptance of Laing's Theorem (“Art flourishes in inverse proportion to Capitalism”) and his assertion that “free market capitalism [is] fundamentally philistine” (p. 253) reductionist may possibly be due to the fact that, as I proofread this, Texaco, one of capitalism's giants, is about to air its 1,000th opera broadcast on the New York Times' WQXR (one of the glories of commercially-sponsored East Coast culture), or that my college, like many others, receives generous funding from philanthropic capitalism, and indeed would not even exist without the vision and culture of a “bourgeois” brewer, Matthew Vassar. But there are other, deeper, reasons. I say my response surprises me, for I once thought that Matthew Arnold had it right and that the Victorian middle classes were uncultured (“bourgeois” = “philistine”), and that “free market capitalism” was infused with the conviction (Arnold's scorn notwithstanding) that civilization could be measured in, even achieved through, coal or cotton. This was nowhere better expressed than by Richard Cobden in his rhapsodic paean to Manchester's civilizing mission." @default.
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- W2331976028 date "1991-01-01" @default.
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- W2331976028 title "“Gold and Mud”: Capitalism and Culture in Victorian England" @default.
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- W2331976028 doi "https://doi.org/10.2307/4050607" @default.
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