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- W2332387570 abstract "quo and one of reaction which repudiates the former to celebrate the latter.1 Postmodernists, resistant as well as reactionary, consider modernity in the visual arts as a movement that began around the turn of the century and passed away in the 1960s and 1970s. Modernity was indeed limited to a period of time. Yet it was more than a transitory trend, dominant for a few decades and disappearing. It was also a recurrent category and a historical expression of perennial principles. JiUrgen Habermas, in a talk delivered ten years ago in Frankfurt, reminded his audience that the Latin term modernus appeared for the first time in the late fifth-century Rome to designate the new Christian order as opposed to the pagan past. Later, the term was used a few other times in European history when the consciousness of a new epoch formed itself through a renewed relationship to the ancients-whenever, moreover, antiquity was considered a model to be recovered through some kind of imitation.2 This recurrence, making of 'modern' a category, puts twentieth-century modernity in a broader context than if it were just another trend." @default.
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- W2332387570 date "1990-01-01" @default.
- W2332387570 modified "2023-09-24" @default.
- W2332387570 title "Perennial Modernity: Forms as Aesthetic and Symbolic" @default.
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- W2332387570 doi "https://doi.org/10.2307/3333106" @default.
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