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- W2332418610 abstract "This article considers alternative processes for recording the screen idea, specifically, processes that draw on photography and images in the writing process. It discusses screen works inspired by the photographs of Samuel Bollendorff (Journey to the End of Coal, 2009), Arthur Felig Weegee (The Naked City, 2002) and August Sanders (Do Right and Fear No-one, 1975), and proposes that ‘writing with light’ is an appropriate metaphor for screenplays that are inherently unstable and always in transition." @default.
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- W2332418610 date "2013-02-01" @default.
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- W2332418610 title "writing with light: The screenplay and photography" @default.
- W2332418610 doi "https://doi.org/10.1386/josc.4.2.123_1" @default.
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