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- W2334336258 abstract "N THE fortunetelling scene of The Waste Land, Madame Sosostris, the wise clairvoyante, manipulates a wicked of cards. The origin of these cards and the significance of their figures have been explained in many different ways. But despite Eliot's reference to the Tarot as the source-or perhaps because of this hint-several critics have expressed their doubts about the authenticity of this particular borrowing. I should not be quite as daring as F. O. Matthiessen, who would not mind betting his money that Eliot had never seen a Tarot pack,' nor could I endorse Gertrude Moakley's point that in his reference to the traditional pack of Tarot Eliot did not know what he was talking about ;2 but the poet's admitted unfamiliarity with the exact constitution of the Tarot of cards, and his obvious departure from them to suit his own convenience are indubitable facts,3 inviting analogies with other sources rather than a close interpretation of the individual Tarot figures. It seems to me that at least three or four of the figures in Madame's of cards may be plausibly related to one and the same myth. They are the one-eyed merchant and Belladonna, the Lady of the Rocks, for neither of which Eliot has specified any particular card; the blank card, which (like the Phoenician Sailor) does not even exist in the Tarot pack; and the Hanged Man, who has received insufficient attention from the critics." @default.
- W2334336258 created "2016-06-24" @default.
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- W2334336258 date "1965-01-01" @default.
- W2334336258 modified "2023-09-26" @default.
- W2334336258 title "What's the Matter with One-Eyed Riley?" @default.
- W2334336258 doi "https://doi.org/10.2307/1770088" @default.
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