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• W2334765044 abstract "The question of musical knowledge applied to folk music is always challenging. While folk music normally does not have great artistic or academic aspirations and its theory and praxis are often little documented, its musicians and public still possess the necessary (implicit) knowledge to be able toproduce and consume their music. When we consider Turkish folk music, it appears to be an example of academically approached, conservatory-institutionalised and state-supported folk music. The reason for all this attention isthe fact that, according to the official republican ideology, traditional Turkish folk music has been considered as the only genuine musical expression of Turkish national culture. Notwithstanding the political applications and biased views of the music, and the inevitable musical adaptations, standardisation and narrowing-down, this preferential treatment has unarguably also benefitted the advancement of knowledge construction about the music. In the diaspora on the other hand, Turkish folk music lacks all this official attention and support. Thus, it will be probably impossible to maintain the level and pace of the knowledge construction existing in Turkey. Besides, when living abroad, Turkish musicians and their public are likely to adopt a newattitude towards their native music. Particular emotional motives will presumable affect the meanings they put on the music, and cause their priorities to shift and intentions to change. In this paper, ‘musical knowledge’ about the Turkish folk music repertoire performed among the Turkish immigrant communities in the Belgian city of Ghent will be examined. Turkish folk musicians will be interviewed and observed in search of their explicit or implicit knowledge related to differentfields, such as music theory (scale/melody and metrical/rhythmical organization, tuning systems,…),performance practice (style and interpretation: ornamentations, variations, phrasings, dynamics,tempo changes,…), musical forms and genres, functions and meanings, geographical and temporalsituation, etc. Dependable written sources about Turkish folk music, as well as recordings of authenticperformances by traditional Turkish folk musicians will constitute the reference sources. The obtainedinformation will be processed in order to compose a structured ‘map’ of concrete diasporic musicalknowledge about Turkish folk music.The following step could be the placement of this ‘map’ over the existing educational situations (eitherformal or informal) within the Turkish immigrant communities in Ghent. Thus could be investigatedwhich aspects of musical knowledge are being transferred and which are not. Interesting questionscould be: which aspects are deliberately omitted, which ones are forgotten, and to which ones is paideither more or less attention. Looking for explanations of these findings could possibly reveal eitherdifficulties manifesting in the construction and transfer of musical knowledge, or underlying hierarchiesin appreciation of the knowledge aspects.As a pendant to the diasporic research, an analysis of the existing or desired knowledge aboutTurkish folk music at the conservatories in Turkey could be performed. It could be expected that alarge amount of structured musical knowledge is in course of being built up and transferred withinthis institutions. The outcome of the analysis would be the composition of a matrix of ‘knowable’and ‘teachable’ aspects of Turkish folk music. When the mapped out knowledge aspects of theimmigrant musicians would be compared to this more comprehensive matrix, guidelines for futuredevelopment and professionalizing of the education in Turkish music in the diaspora could emerge.While it is likely to find important hiatuses in the existing knowledge of the immigrant musicians, thesemusicians’ ways of dealing with their homeland folk music could in turn possibly serve as a guide forfunctional adaptations of the proposed knowledge matrix." @default.
• W2334765044 created "2016-06-24" @default.
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• W2334765044 date "2010-01-01" @default.
• W2334765044 modified "2023-09-23" @default.
• W2334765044 title "Turkish folk music in Ghent: developing musical knowledge in a diaspora context" @default.
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