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- W2338689191 abstract "Applying the categorisation made by Walter Benjamin as regards popular storytelling — stories told by sailors, and stories told by peasants, the former being internationally oriented and the latter locally based — this paper reconsiders the history of Italian police drama as in transition from ‘foreign’ or international to ‘domestic’ or national/local storytelling. This transition follows three phases: the adaptation of foreign classics in the first two decades of the Italian television; the emergence of the domestic voice in the 1970s and 1980s, when locally based police series were produced, although in the context of a television supply widely internationalised by massive slates of foreign imports; and the establishment and popularity of the now hegemonic formula, all'italiana, from the 1990s onwards. The contemporary police drama is now a fully localised genre, yet this doesn't disguise the footprints of a transnationalisation which is still underway, whereby the sailor's and the peasant's voices converge and merge." @default.
- W2338689191 created "2016-06-24" @default.
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- W2338689191 date "2005-05-01" @default.
- W2338689191 modified "2023-10-18" @default.
- W2338689191 title "The ‘Sailor’ and the ‘Peasant’: The Italian Police Series between Foreign and Domestic" @default.
- W2338689191 cites W1966295128 @default.
- W2338689191 doi "https://doi.org/10.1177/1329878x0511500106" @default.
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