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- W2341814683 abstract "If, as the proverb states, money makes the man, then the denouement of Money (1984) calls the gender of its protagonist, John Self, into question by leaving him penniless. In this context, Amis’s assertion that Self’s financial downfall constitutes a “happy ending” suggests that the novel’s critique of capitalism is entwined with a critique of patriarchy (Haffenden, 14). Such a reading contradicts existing interpretations of the text that propose that it endorses male hegemony. Although it is possible to counter the charge that Amis is a masculinist writer by arguing that Money offers a critique of masculinity, this essay contends that the novel goes further than highlighting the need to redefine dominant modes of manhood. Offering a queer reading of the text that focuses on the unstable borders of identity and desire, this essay demonstrates that Money subverts the ideology of its bigoted protagonist by deconstructing the heteropatriarchal concepts “woman” and “man” and creating what Judith Butler terms “gender trouble.”KeywordsSexual ObjectQueer TheoryChess PieceGood MoneyTraditional Gender IdeologyThese keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves." @default.
- W2341814683 created "2016-06-24" @default.
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- W2341814683 date "2006-01-01" @default.
- W2341814683 modified "2023-09-23" @default.
- W2341814683 title "Money Makes the Man: Gender and Sexuality in Martin Amis’s Money" @default.
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- W2341814683 doi "https://doi.org/10.1057/9780230598478_5" @default.
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