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- W2344669852 abstract "The principles underpinning current acting approaches in musical theatre are primarily based on, and indebted to, Stanislavski’s acting ‘System’. Though the musical theatre acting literature fails to formally explain the modes of appropriation or varying legacies of Stanislavski’s tenets (a task I will briefly cover), the pervasive reception given aspects of his systematic preparations may rest, in part, on the apparent logic of a methodology that enables actors, during the process of preparing for a role, to approach a song and its lyrics as though they would a play and its spoken text. Moreover the holistic way Stanislavski perceived the actor’s process (particularly in the latter part of his career), reinforced the intrinsic coalescence of psychophysical work and active engagement with emotions (or broadly, components of affective and sense memory), and this approach resonates with the integrationist ideals in modern musical theatre actor training which seek to combine, in an emotionally invested way, the essential elements of acting, singing and movement. However, when preparing to act through song, the integrationist stance of psychophysical characterisation may be challenged by the vocal technical requirements of learning the music, which alongside musically affective experiences, may not necessarily cohere with a monological acting exercise of, say, speaking the lyric-text. I will stage a critical discussion around such song acting anomalies and develop my reflections as I consider the function of breath as a lynchpin in song acting. If arousal of, or engagement with, emotion, through a combinatory sequence of analytical and physical action, is fundamental to psychophysical work, in song acting that process is exponentially problematized, generating a complex relationship between technical mastery and emotional availability." @default.
- W2344669852 created "2016-06-24" @default.
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- W2344669852 date "2016-01-02" @default.
- W2344669852 modified "2023-10-17" @default.
- W2344669852 title "Stanislavski’s system in musical theatre actor training: anomalies of acting song" @default.
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- W2344669852 doi "https://doi.org/10.1080/20567790.2016.1155366" @default.
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