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- W2371782034 abstract "Traditional Chinese literary criticism is animistic criticism withqi of the work(文气) at its center.In the category ofqi of the work(文气) the spiritual state of the subject of the literary creation is reflected in the style of the work created.The aesthetic category forged byqi of the work(文气) comes frompersonality judgment(品藻) which,in modern terminology,means aesthetics based on the spiritual height of the man and implies aesthetic ideas the object of which is to raise the spiritual level of the man.This raising and cultivation of the spiritual level is best formulated in the category of improvement(工夫论) which postulates that aesthetic experience of art is linked with the personality traits of the creator and differences in aesthetic abilities are due to different levels of moral improvement manifested in the qi of the work(文气).From the perspective ofmoral improvement(工夫论),the aesthetic categories of traditional Chinese literary criticism deal not only with the aesthetic objects,but also the spiritual level of the artists themselves and are on this account the product of the combination of the creator's moral improvement and the act of creation,unlike western aesthetic categories which merely represent aesthetic objects.The aesthetic categories that designate levels of moral improvement are summed up in the following three kinds,namely, lingering charm(气韵),vigor of style(风骨) andvigor and force(雄浑)." @default.
- W2371782034 created "2016-06-24" @default.
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- W2371782034 date "2012-01-01" @default.
- W2371782034 modified "2023-09-25" @default.
- W2371782034 title "The Aesthetic Import of the Categories of Classical Chinese Aesthetics" @default.
- W2371782034 hasPublicationYear "2012" @default.
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