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- W2375731661 abstract "In the opening essay of her Tales of Love, Julia Kristeva stresses the intrinsic incompatibility of the loving couple. Since each love is individual it is incommensurable with the love of the other, and the only possibility of the two loves meeting is through a third party: an ‘ideal, god, hallowed group’.1 In Muriel Spark’s The Public Image, Frederick and Annabel’s ideal marriage as created by the media offers the otherwise indifferent lovers such a meeting. The opening sections of the novel, which involve a flashback to the early marriage prior to Annabel’s stardom, emphasize the pair’s apathy. Not even Annabel’s bored infidelity with Frederick’s best friend Billy provokes a response. On finding them together, Frederick merely repeats a condensed version of the lecture he gives daily to his students (I, p. 7). The mood of these early stages is very different to the extreme emotions that govern the marriage towards its close, where dependency, obsession and hatred motivate Frederick’s suicide as well as Annabel’s attempt to appropriate it for her own ends. Love, Kristeva writes, ‘reigns between the two borders of narcissism and idealization’ (TOL, p. 6). The ego either projects and glorifies itself or else is shattered and engulfed in the mirror of the idealized other/lover. The way through lies in transference love or the rerouting of desire into a symbolic form, positively located in Kristeva’s account in the exchanges between analyst and analysand and perversely undertaken in The Public Image by the mass media." @default.
- W2375731661 created "2016-06-24" @default.
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- W2375731661 date "2002-01-01" @default.
- W2375731661 modified "2023-09-23" @default.
- W2375731661 title "Tales of Love: Narcissism and Idealization in The Public Image" @default.
- W2375731661 doi "https://doi.org/10.1057/9780230504264_2" @default.
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