FRINK Linked Data Fragments server

Matches in SemOpenAlex for { <https://semopenalex.org/work/W2379356458> ?p ?o ?g. }

• W2379356458 abstract "Bernard Noel has investigated the relationship between the conceptual and the visual in many of his prose and poetic texts. From the earlier body poetry of Extraits du corps, where the image of the inward-looking eye makes its appearance, to his book on Magritte's thought and the prose text Le 19 octobre 1977, where he thematizes the functioning of perception, Noel explores the complex interplay between seeing and thought, language and thought, and seeing and writing. This study analyzes these and other major issues driving Noel's poetics. This article is available in Studies in 20th Century Literature: http://newprairiepress.org/sttcl/vol13/iss1/8 THOUGHT AND PERCEPTION: BERNARD NOEL AND THE MIND'S EYE Laurie Edson San Diego State University On n'invente pas, on ouvre les yeux, c'est tout. -Bernard Noel' Because Bernard Noel has investigated the relationship between the conceptual and the visual in many of his prose and poetic texts, I take, as an entry into his difficult, often hermetic work, a curious passage from his text Le 19 octobre 1977 that deals directly with these issues. The image described in this passage is also depicted, although combined with other details, in the drawing by Colette Deb le that appears on the front cover of Noel's Poemes I, published by F lammarion in 1983. Noel's description of the image is as follows: Ce portail, je ne l'avais jamais franchi; l'ombre qu'il projetait sur le sol a cette heure avait un charme, et mon attente fut distraite par la contemplation de son dessin, dont les vides changeaient de luminosite selon ma position. II me semblait y apercevoir l'envers de la presence, et bien que cela ne voultit rien dire, je me le repetais avec plaisir.2 Several aspects of this description deserve comment. First, this is the description of a visible image, although the image is no longer visible at the time of writing/narration, except in the mind's eye (the mind of the writer/narrator). Second, Noel focuses our attention on the narrator's attention, which is not really drawn to the pattern cast on the ground by the gate's shadow, but rather to what the dark lines of that shadow isolate: the blocks of luminosity. The dark lines function as the form that allows the luminous content to manifest itself-the skeletal structure, so to speak, that makes visible what would otherwise" @default.
• W2379356458 created "2016-06-24" @default.
• W2379356458 creator A5064114008 @default.
• W2379356458 date "1993-01-01" @default.
• W2379356458 modified "2023-09-27" @default.
• W2379356458 title "Studies in 20th Century Literature" @default.
• W2379356458 cites W1564052321 @default.
• W2379356458 cites W1987351853 @default.
• W2379356458 cites W2313738939 @default.
• W2379356458 cites W32159031 @default.
• W2379356458 cites W593472220 @default.
• W2379356458 hasPublicationYear "1993" @default.
• W2379356458 type Work @default.
• W2379356458 sameAs 2379356458 @default.
• W2379356458 citedByCount "1" @default.
• W2379356458 crossrefType "journal-article" @default.
• W2379356458 hasAuthorship W2379356458A5064114008 @default.
• W2379356458 hasConcept C124952713 @default.
• W2379356458 hasConcept C138885662 @default.
• W2379356458 hasConcept C142362112 @default.
• W2379356458 hasConcept C15708023 @default.
• W2379356458 hasConcept C164913051 @default.
• W2379356458 hasConcept C205783811 @default.
• W2379356458 hasConcept C52119013 @default.
• W2379356458 hasConcept C556248259 @default.
• W2379356458 hasConceptScore W2379356458C124952713 @default.
• W2379356458 hasConceptScore W2379356458C138885662 @default.
• W2379356458 hasConceptScore W2379356458C142362112 @default.
• W2379356458 hasConceptScore W2379356458C15708023 @default.
• W2379356458 hasConceptScore W2379356458C164913051 @default.
• W2379356458 hasConceptScore W2379356458C205783811 @default.
• W2379356458 hasConceptScore W2379356458C52119013 @default.
• W2379356458 hasConceptScore W2379356458C556248259 @default.
• W2379356458 hasLocation W23793564581 @default.
• W2379356458 hasOpenAccess W2379356458 @default.
• W2379356458 hasPrimaryLocation W23793564581 @default.
• W2379356458 hasRelatedWork W15283467 @default.
• W2379356458 hasRelatedWork W162085478 @default.
• W2379356458 hasRelatedWork W194652967 @default.
• W2379356458 hasRelatedWork W195493928 @default.
• W2379356458 hasRelatedWork W1979304201 @default.
• W2379356458 hasRelatedWork W2013005017 @default.
• W2379356458 hasRelatedWork W2049844530 @default.
• W2379356458 hasRelatedWork W213596998 @default.
• W2379356458 hasRelatedWork W2420026471 @default.
• W2379356458 hasRelatedWork W248116434 @default.
• W2379356458 hasRelatedWork W25744941 @default.
• W2379356458 hasRelatedWork W2604058880 @default.
• W2379356458 hasRelatedWork W299714623 @default.
• W2379356458 hasRelatedWork W304087956 @default.
• W2379356458 hasRelatedWork W340086235 @default.
• W2379356458 hasRelatedWork W348051177 @default.
• W2379356458 hasRelatedWork W71152191 @default.
• W2379356458 hasRelatedWork W752578106 @default.
• W2379356458 hasRelatedWork W77191672 @default.
• W2379356458 hasRelatedWork W92511766 @default.
• W2379356458 isParatext "false" @default.
• W2379356458 isRetracted "false" @default.
• W2379356458 magId "2379356458" @default.
• W2379356458 workType "article" @default.