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- W2383089811 abstract "I was inspired to write this book in response to the recent proliferation of performance and art practices that engage audiences socially — by inviting those audiences to participate, act, work and create together; observe one another; or simply be together. This trend has been growing exponentially since the 1990s in, for example, much public art, immersive theatre, one-to-one theatre, and relational and delegated art. In performance and theatre, practices of immersing audiences within theatrical worlds and inviting them to participate there are no longer principally confined to their usual manifestations in applied performance contexts such as theatre-in-education. In sculpture and art installation, audiences are increasingly welcomed to interact with the works at least spatially, and sometimes through touch or more vigorous participation. They are also encouraged to interact with each other, for example through looking at one another, or moving or speaking together, in a trend which art curator and critic Nicolas Bourriaud has famously termed socially ‘relational’ (Bourriaud, 2002) and art theorist Claire Bishop has called ‘the social turn’ in contemporary art (Bishop, 2006b). The enormity and spread of this trend raises questions about why these practices are proliferating, what they say about contemporary culture, what they can actually do for audiences, and what they can offer contemporary social relations." @default.
- W2383089811 created "2016-06-24" @default.
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- W2383089811 date "2013-01-01" @default.
- W2383089811 modified "2023-09-23" @default.
- W2383089811 title "Introduction: Fair Play" @default.
- W2383089811 doi "https://doi.org/10.1057/9781137027290_1" @default.
- W2383089811 hasPublicationYear "2013" @default.
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