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- W2384668040 abstract "Recent blockbusters neglect ethics, humanism and ideological depth with a sharp contrast between their flowery forms and the insipid contents due to the Oscar complex, commercialism, and untalented playwrights. Heroes (Yingxiong) draws from many traditional Chinese elements but does not contain any humanity or humanism, confusing the First Emperor's cause of unification and the people's wish for peace and subverting the historic view about the emperor's assassination. Movies should combine poetry, pictures, emotions, and opinion, but the love story in Ambush from Ten Sides (Shi Mian Maifu) lacks the nobility of human feelings. The Promise (Wu Ji) stresses too much entertainment and magnificent style and beauty but neglects the construction and distillation of the gentle feelings so that it loses the depth of the meaningful structure typical of blockbusters and fails to reach the high spiritual level of good movies. The Night Banquet (Ye Yan) as a homemade movie has little Chinese taste since its Chinese cultural expression of a Japanese style simply disorients the viewers and its success is hindered by the alienation from, and lack of control over, the traditional artistic forms, thus leading to complete emptiness and a vulgar fate. The Curse of the Golden Flower (Man Cheng Jin Dai Huangjinjia) has injected all the resources into the extravagant forms, magnificent scenes, and fancy colors at the expense of well-constructed plots, with its characters, dialogs and other details directly “copied” from Cao Yu's Thunderstorm." @default.
- W2384668040 created "2016-06-24" @default.
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- W2384668040 date "2007-01-01" @default.
- W2384668040 modified "2023-09-22" @default.
- W2384668040 title "The Night Banquet: Feng's Itch for Blockbusters" @default.
- W2384668040 hasPublicationYear "2007" @default.
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