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- W2396095623 abstract "Psychology views the rather unusual phenomenon of physiognomy somewhat warily if not disparagingly (Lindauer, 1984a). To justify my coverage of this controversial (and misunderstood) topic and to validate its inclusion in a discussion of literary creativity, I digress at the outset to explain my focus on the creative literary work – the literary stimulus, “the word” – rather than, as is often the case, the creative author (Lindauer, 1984c). The stage is further set with examples that clarify the complex nature of physiognomy, followed by a brief coverage of related definitional matters, methods of study, history, and theory. After these preliminary yet important considerations, I turn to the main focus of this chapter, the role of physiognomy in literature, but not before setting it within its larger place in the arts generally. Following my argument that physiognomy not only bears on literary works but also on creative authors and receptive readers, I conclude with some suggested studies." @default.
- W2396095623 created "2016-06-24" @default.
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- W2396095623 date "2009-06-22" @default.
- W2396095623 modified "2023-10-16" @default.
- W2396095623 title "Literary Creativity and Physiognomy: Expressiveness in Writers, Readers, and Literature" @default.
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- W2396095623 doi "https://doi.org/10.1017/cbo9780511627101.009" @default.
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