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- W2396793936 abstract "When Elizabeth Barrett self-reflexively considers her diary, she writes mainly about its production. She mentions its consumption only once: “Last night I read some of my diary to Arabel [her sister] in bed! My diary is not meant to be read by any person except myself: but she deserves to be let behind the scenes. Mine are very ill painted” (January 2, 1832).1 The paradoxical nature of this passage is multifaceted. Certainly the avowal of privacy can be seen as a response to disclosure: a rhetorical defense against the actual circulation of the text. At the same time, the passage registers two conflicting notions of the diary’s audience. Barrett clearly believes that the diary is “meant” to be private, that is, reserved to its writer. But she also actively and intentionally troubles that privacy in an act characterized less as breach than as invitation. She appears to justify her contradictions by allowing Arabel access to the text on the basis of their special relationship, a relationship whose singularity is evidenced by the emphasis on “she,” and whose intimacy is characterized by the occurrence of the whole scene “in bed.” Though Barrett uses the word “read” twice, once with regard to sharing and once in reference to withholding, she seems to use it in two different ways. When she reads the diary to Arabel, she reads aloud, but the assertion that nobody is meant to read the diary appears to refer to the act of physically reading its pages." @default.
- W2396793936 created "2016-06-24" @default.
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- W2396793936 date "2011-01-01" @default.
- W2396793936 modified "2023-09-24" @default.
- W2396793936 title "Family, Gender, and the Intimate Diary" @default.
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- W2396793936 doi "https://doi.org/10.1057/9780230339606_4" @default.
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