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- W2400076278 abstract "The narrator, Jane Eyre, makes this claim in a novel which might be said to bridge the gap between the eighteenth-century female Gothic and the sensation fiction of the later nineteenth century. Gothic novels, as popular expressions of Romanticism, often containing plot and character elements from sentimental fiction, deployed specific effects of sensibility. These included, but were not limited to, the uncanny, horror and terror. Desiring object-relation was another of the Gothic novel’s chief effects. In all, these invocations of sensible response created a radical sense of individual interiority in textual prose. Those invitations to identification, introspection and object-relation which characterise novelistic prose mark its particular relation to modernity. These effects, first and most dramatically developed in the Gothic novel, would later be reconceived in another cultural register as psychological fiction. While we experience psychological interiority in the desires of focalising characters, it is their agency which drives plots forward and creates narrative tension. Between these two effects, both character identification and narrative drive are built on the tension between will and desire.KeywordsNineteenth CenturyPublic SphereGeneric ConventionCultural RegisterSexual AgencyThese keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves." @default.
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- W2400076278 date "2013-01-01" @default.
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- W2400076278 title "Wilkie Collins and Narrative Containment" @default.
- W2400076278 doi "https://doi.org/10.1057/9781137341044_2" @default.
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