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- W2406769982 abstract "Louise Erdrich’s recent novel Four Souls (2004) continues where her well-known novel Tracks (1988) left off, telling the story of her fictional Ojibwe reservation in the aftermath of allotment policy and the widespread logging of woodlands. Chronologically located between her most popular novels Tracks (which takes place from 1912 to 1924) and Love Medicine (which takes place from the 1930s to 1984), Four Souls bridges the narrative gaps in the stories of recurring characters like Nanapush and Fleur Pillager. Originally conceived as an expanded version of Tracks, Four Souls features parallel plots that depict Fleur’s attempt to reclaim her land from lumber baron John Mauser and finally heal her bitterness, alongside Nanapush’s analogous effort to hold onto the remaining tribal land and repair his acerbic relationship with his partner Margaret. In the novel’s epilogue, Nanapush, tribal elder and resident trickster, self-consciously reflects on the whole “scope and drift” of the region’s history, lamenting the fact that people now “print [themselves] deeply on the earth” with roads, automobiles, and modern buildings that transform the reservation and threaten tribal sovereignty (210). He contrasts these destructive markings that “bite deep” and cause the “bush” to “recede” with the printed tracks of his own words. Continuing the titular metaphor from Tracks, he muses: “I have left my own tracks, too. I have left behind these words. But even as I write them down I know they are merely footsteps in the snow. They will be gone by spring. New growth" @default.
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- W2406769982 date "2016-01-01" @default.
- W2406769982 modified "2023-09-23" @default.
- W2406769982 title "The Politics of Metafiction in" @default.
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