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- W2410620719 abstract "This Introduction has four parts. First, I briefly situate this book relative to other research on religion and film; second, I provide a reading of John Woo’s Face/Off (1997) in order to exemplify both the pedagogy of self I outlined in the Preface and the theoretical assertions I delineate in more detail in Part II of the book; and third, I offer a discussion of the book’s subtitle, “The Politics of Nostalgia.” Finally, I delineate the basic structure of the book’s chapters.KeywordsSubject PositionPure PossibilityFilm TextSubjective IntentionIdeology CritiqueThese keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves." @default.
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- W2410620719 date "2011-01-01" @default.
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- W2410620719 title "Introduction: Interpreting Religion and Film" @default.
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- W2410620719 doi "https://doi.org/10.1057/9781137013248_1" @default.
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