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- W2433282951 abstract "At first sight The Heat of the Day appears to bring back the Big House as a symbol of order and permanence, yet a close reading of the novel shows its ambiguity. Tradition is dead, and its representative, the Big House, is now anachronistic, an empty thing of the past which may act only as a lure. The nostalgia for order and grace can be projected onto its very emptiness as a fantasmatic idle activity. The fate of the Big House is part of the general subversion of place brought on by the war. Three recurring metonymies for the Big House — the painted fan, the rare purple rose and the sunk boat — express the theme. The Big House however is not altogether to be rejected as a harmful mirage because it is a sustaining illusion in times of dislocation and aimlessness. The Second World War has brought the Big House to an end but it has remained alive as a compensating fiction." @default.
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- W2433282951 date "1994-01-01" @default.
- W2433282951 modified "2023-09-25" @default.
- W2433282951 title "The Big House and the Second World War in Elizabeth Bowen's « The Heat of the Day»" @default.
- W2433282951 doi "https://doi.org/10.3406/irlan.1994.1193" @default.
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