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- W2433731663 abstract "Tunisian writer Emna Belhaj Yahia’s novels depart from many of the patterns established by her peers in that they eschew certain conventions of local color and auto-exoticism in order to create new narrative worlds that blur the political and realistic framework of North African settings. While in her earlier novels Chronique frontalière (1991) and L’Étage invisible (1996) she uses realistic settings and a critique of conditions in Tunisia, especially the ones affecting women, with her consecutive novels she sets a different tone, eliminating recognizable place and character names in order to create a dreamlike and unhomely new world where characters are free to explore new relationships, chronologies and urban spaces. This change is especially noticeable in Tasharej (2000). In her most recent Jeux de rubans (2011), she continues in this mode, although she also includes a focus on recent sociopolitical events. Her characters continue to freely choose their careers, garments and destinies, and make it clear that these choices merely represent the two possible sides of an unfurling ribbon." @default.
- W2433731663 created "2016-06-24" @default.
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- W2433731663 date "2016-01-01" @default.
- W2433731663 modified "2023-10-17" @default.
- W2433731663 title "Emerging Narrative Worlds in Emna Belhaj Yahia’s Novels Chronique frontalière (1991), L’Étage invisible (1996), Tasharej (2000), and Jeux de rubans (2011)" @default.
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- W2433731663 doi "https://doi.org/10.1353/mml.2016.0007" @default.
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