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- W24338327 abstract "This dissertation examines the extent to which Phenomenology can be used to explore and examine the work of Pina Bausch. Since the nineteen seventies German choreographer Pina Bausch‘s concept of Tanztheater has aroused much controversy in terms of categorising and understanding an artistic genre, a form that merges dance and theatrical elements. It has been a topic that has provoked different views on how it can be read and examined because of her silence on the subject, however with her recent death this has become poignant with many people still intrigued concerning the concept of ‗dance-theatre‘ and her processes of creating work.This investigation aims to explore a possible approach to analysing and studying the work of Pina Bausch with focus on her choreography, through a phenomenological examination with reference to Maurice Merleau-Ponty, Phenomenology of Perception (1962), Bert O. States, Great Reckonings in Small Rooms, Sondra Fraleigh, A vulnerable glance: Seeing Dance through Phenomenology, Stanton B. Garner, Bodied Spaces: Phenomenology and Performance in Contemporary Drama (1994) and other relevant literature.If the outcome of this study discovers that 'dance-theatre' and phenomenology, each in their unique ways, can reference one another by simply showing the encounter between both theoretical frameworks, a new investigation can be opened up in to new ways of reading and analysing her works and processes. Now that the last piece of work that she created is being performed at this time, it serves as a strong purpose; to give an insight into the ways in which her past works can be perceived and analysed more objectively." @default.
- W24338327 created "2016-06-24" @default.
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- W24338327 date "2011-01-01" @default.
- W24338327 modified "2023-09-26" @default.
- W24338327 title "To what extent can phenomenology be used to read and inform Pina Bausch's concept of ‘dance-theatre’?" @default.
- W24338327 hasPublicationYear "2011" @default.
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