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- W2438144417 abstract "As a performance-maker with a physical practice of devising, I have for some time been curious about the science of making performance. My practice is a constructive process where narratives, themes, ideas and physical elements are invented, remembered, composed and re-worked. I am constantly imagining material for theatrical performance. Memory, too, is a fundamental element that is incorporated into this process. My research into the neuroscience of recollection has led me to an enquiry into the landscape of memory as it intersects with the landscape of imagination. In this paper, I identify some of the key neuroscientific ideas with which my practice-led research is engaged, and I examine the way memory and imagination intersect, both in my devising practice, and in my brain. I draw on two recent performances I made in Melbourne to illustrate the evolution of my composition techniques and to explain my approach to image-based material and re-constructed narratives prompted by brain researchers Antonio Damasio and Jonah Lehrer. I describe the personal landscape of my performance practice, particularly in relation to subjective experience: the special things that make my knowledge ‘mine’—my histories, my stories, my self in the world. Finally, I examine the ways such an approach might enliven perceptive abilities within a devising practice and provoke new possibilities for process." @default.
- W2438144417 created "2016-06-24" @default.
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- W2438144417 date "2012-01-01" @default.
- W2438144417 modified "2023-09-23" @default.
- W2438144417 title "Facts and Fictions: Landscapes of Memory, Imagination and the Brain in Performance Making" @default.
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