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- W2439879552 abstract "and that he or she also possesses deep knowledge of the cultural system being mocked. This statement holds true for modern Jewish satire, which originated among traditionally-educated adherents of the Jewish Enlightenment in late eighteenth century East Europe and flourished throughout the 1800s. When exported in the early 20th century to Palestine, this subversive tradition took the form of parodies of tradi tional texts such as the Passover Haggadah, produced in the secular atmosphere of Tel Aviv and the kibbutzim. This article sets Hebrew satirical literature produced in interwar Palestine against the backdrop of its European predecessors. Changes in the form and content of parodies of sacred Jewish texts nicely demon strate the transition in the first half of the twentieth century from Jewish to Israeli culture. From the turn of the century through the 1930s, Palestine's Jewish community (the Yishuv) was a liminal zone in which a catalytic, yet ephemeral, coming together of Judaic erudi tion and a freethinking spirit engendered a Zionist secular culture. The principle texts analysed here are Isaak Meir Dick's Masekhet Aniyut of 1844, as an example of learned parody from the period of the Jewish Englightenment (Haskalah); Kadish Yehuda Silman's Bava Tekhnika of 1913, to demonstrate the continuation of the Haskalah tradition in the early years of the new Yishuv; and several satiric haggadot published in Palestine during the 1920s and 1930s. My analysis is informed by the anthropologist Mary Douglas' semi nal essay on the joke, which she defines as: Thanks are due to my colleague Barry Walfish, with whom I read some of the satiric texts analysed in this article." @default.
- W2439879552 created "2016-06-24" @default.
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- W2439879552 date "2006-01-01" @default.
- W2439879552 modified "2023-09-27" @default.
- W2439879552 title "The continuity of subversion: Hebrew satire in" @default.
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