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- W2442275304 abstract "With a villain who is “a kind of Puritan” (2.3.125) and a title referencing the Feast of the Epiphany, Twelfth Night has understandably attracted critical attention to its religious allusions and themes.1 Questions of the religious dimension of the play, however, are moving away from a more generalized Christianity—sometimes contrasted against “pagan,” that is classical, religion—to specific controversies over doctrine. In particular, in the recent religious turn in Renaissance studies, scholarly interest has shifted to Catholic subtexts in Shakespeare’s life and works.2 At the same time, however, there are in Twelfth Night a number of allusions to the East, including to Islamic empires, allusions whose relation to the Protestant and Catholic readings of the play have not yet been adequately accounted for. Malvolio is not only called a puritan, he is also accused of having “turned heathen, a very renegado” (3.2.59). Given that “renegade” is usually a term for Christian converts to Islam, the religion of Twelfth Night is perhaps more layered and complex than is initially supposed. Islam needs to be figured into the abundant allusions to religious devotion and religious deviation in the play." @default.
- W2442275304 created "2016-06-24" @default.
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- W2442275304 date "2011-01-01" @default.
- W2442275304 modified "2023-09-23" @default.
- W2442275304 title "The Frontiers of Twelfth Night" @default.
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- W2442275304 doi "https://doi.org/10.1057/9780230119826_10" @default.
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