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- W245732005 abstract "In her novel Tracks, Louise Erdrich tells the story of a band of Anishinaabe early in the twentieth century. Through the two narrators, one a tribal elder and the other a mixedblood who eventually abandons the traditions of the tribe, the novel offers two divergent perspectives of the events that take place as the government divests the tribe of its land. The conflicting perceptions of these occurrences, which are magical realist in nature, underscore the conflict within the tribe to maintain tradition in the face of the ever-increasing influence of European settlers. The purpose of this thesis is to explore the perceptions at odds with one another in order to shed new light on the significance of Erdrich’s use of magical realism in the text. Highlighting Erdrich’s engagement with magical realism, a largely postcolonial literary device, will hopefully expand notions of identity and authenticity within the Native American literary tradition. INDEX WORDS: Louise Erdrich, Tracks, Native American literature, Native American studies, Postcolonialism, Magical realism, Postmodernism, Identity narrative “PERHAPS THE BEAR HEARD FLEUR CALLING, AND ANSWERED”: THE SIGNIFICANCE OF MAGICAL REALISM IN LOUISE ERDRICH’S TRACKS AS A" @default.
- W245732005 created "2016-06-24" @default.
- W245732005 creator A5044091437 @default.
- W245732005 date "2010-01-01" @default.
- W245732005 modified "2023-09-27" @default.
- W245732005 title "Perhaps the Bear Heard Fleur Calling, and Answered: The Significance of Magical Realism in Louise Erdrich's Tracks as a Postcolonial Novel" @default.
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