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- W2460287065 abstract "Dutch visual artist Marijke van Warmerdam is best known for her film-based installations, which present simple settings or actions, such as a girl performing a handstand, in short, 16mm film loops that are projected in the gallery space. In 2011 van Warmerdam took the decision to digitize most of her film installations. From a conservation perspective this is remarkable, since the disappearance of the analogue 16mm projectors from the gallery space significantly alters the experience of van Warmerdam’s film-based works. However, with reference to recent ideas from performance studies, in particular the notion of dramaturgy, I argue that there is no inherent difference between the analogue and digital versions of her installations. The case serves to explore a more radical freedom of interpretation in the execution of time-based media installations and proposes a perspective on documentation that shares responsibility among all different stakeholders, extending the ecosystem of time-based media conservation beyond the museum’s walls." @default.
- W2460287065 created "2016-07-22" @default.
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- W2460287065 date "2015-01-01" @default.
- W2460287065 modified "2023-09-23" @default.
- W2460287065 title "Documenting the Analogue Past in Marijke van Warmerdam's Film Installations" @default.
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