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- W2460651132 abstract "Like John Fowles’ The French Lieutenant’s Woman and Willaim Faulkner’s The Sound and the Fury, Angus Wilson’s Late Call originated in the provocative image of a woman.1 The ‘moment of vision’, Wilson recalled, ‘came from a drive through one of the New Towns, when [I] saw an elderly woman standing in a yard looking out over the landscape’.2 In the ‘moment of vision’ are evident the major concerns of the novel — life in a New Town, the condition of the elderly, the look which became a searching for purpose, and perhaps even the limited perspective of the central character. The conflict between the newness of the New Town and the oldness of the elderly woman is a uniquely post-modernist one, too; before Virginia Woolf few aged protagonists appear in English fiction, but since her novels, especially amongst those novelists influenced by her, the problems of the elderly, their retirement, and their perception of pattern or meaning to their lives loom large as viable fictional topics." @default.
- W2460651132 created "2016-07-22" @default.
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- W2460651132 date "1984-01-01" @default.
- W2460651132 modified "2023-09-24" @default.
- W2460651132 title "Angus Wilson, Late Call, ‘a strange gale of memories’" @default.
- W2460651132 cites W181025693 @default.
- W2460651132 doi "https://doi.org/10.1007/978-1-349-04761-1_3" @default.
- W2460651132 hasPublicationYear "1984" @default.
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