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- W2462402831 abstract "Looking back at his youthful self, twenty years later, Edward Bond saw a political naif: ‘I had grown up in a war situation. . . . I tried . . . to put down what it was really like, to describe the problem’.1 He could not then analyse the problem. Nor, for that matter, could the English Stage Company (ESC) at the Royal Court Theatre where Bond’s instincts drew him in 1958. John Osborne’s Look Back in Anger (1956), which did articulate the frustration of the young, had given the Court an aura of controversy, but neither the directorship nor the audiences on whom the company depended wanted revolution. At the time of Suez, Hungary, and the CND (Campaign for Nuclear Disarmament), Osborne’s Jimmy Porter angrily denounced the Establishment, yet his nostalgia for the values and grace of the past was equally a symptom of the times. So the ESC was saved from financial collapse both by Osborne’s play and a star-laden revival of The Country Wife, which transferred to the West End. To survive, the ESC had to be eclectic." @default.
- W2462402831 created "2016-07-22" @default.
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- W2462402831 date "1993-01-01" @default.
- W2462402831 modified "2023-09-24" @default.
- W2462402831 title "Edward Bond: a Political Education" @default.
- W2462402831 doi "https://doi.org/10.1007/978-1-349-22762-4_8" @default.
- W2462402831 hasPublicationYear "1993" @default.
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