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- W2465740896 abstract "For the past decade or more talk of both a ‘crisis in the discipline’1 and a ‘new art history’ has been a standard feature of art historical discussions. The senses assigned both these phrases have been highly various: for some ‘the new art history’ is a new or renewed social history of art;2 for others, the phrase evokes a new semiotic ground for the discipline;3 still others may hear in it a call for a post-structuralist art history, or for an art history that is self-consciously ‘postmodern’, or for an art history that returns to its own historical roots, renewing or transforming them.4 These various versions of ‘the new art history’ have equally various relations to what currently exists as art history: some conceive themselves as interventions in the discipline from its (political) outside, some as integrations of it into a larger field, and some as critical returns into its own conceptual apparatus. Seen from this perspective, the ‘crisis in the discipline’ amounts to a vast uncertainty about the specificity, limits, location and effect of the discipline of art history within the larger field of knowledge and cultural practice. It is not clear that the history of art has foundations it can call in some sense its own, not clear what is inside it and what outside, not clear what terms might best negotiate between any such insides and outsides or to what effect they might do so, and not clear what loyalty or betrayal is owed to such founding figures as Alois Riegl, Heinrich Wolfflin, Aby Warburg, Erwin Panofsky and Ernst Gombrich.5" @default.
- W2465740896 created "2016-07-22" @default.
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- W2465740896 date "1995-01-01" @default.
- W2465740896 modified "2023-09-28" @default.
- W2465740896 title "Basic Concepts. Of Art History" @default.
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