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• W2467386005 abstract "Marilyn Jull and Stan Brakhage were married in March 1989, and as her comments below indicate, their relationship figured significantly in the conception and composition of Domain of Aura. She also speaks with first-hand knowledge about why the work remains unpublished. Following a conversation with Marilyn Brakhage at her home in Victoria, British Columbia in June 2013, I initiated this interview, which was conducted via email and completed in July 2014. I deeply appreciate Marilyn's full cooperation and candid responses to my questions.WILLIAM C. WEES After the publication of Metaphors on Vision and Stan's innumerable interviews and talks at screenings, one might think he had said all that needed to be said about visual perception. Where did the inspiration-the need?-come from to write more on the subject?MARILYN BRAKHAGE Stan had gone through a traumatic upheaval in his life not long before I met him. While getting to know me, he was also reintroduced to Bruce Elder. (He and Bruce had met earlier, but it was partly my friendship with Bruce that brought them together again and occasioned what became the start of a lengthy and fruitful discussion and debate over their respective aesthetics.) As you note, their friendly argument over language-dependent thought, and whether or not there is such a thing as pre-verbal thought, led to Stan's writing on what he called the dominion of picture over the domain of aura. Around the same time, Stan was also introduced to David Rabinowitch and his work, and they, likewise, had many lively aesthetic conversations. And all of these various conversations would frequently continue with me, and were often about the nature of vision and extraordinary visual experiences (when we weren't looking at and discussing films, which we were also constantly doing). Perhaps, then, entering into a new phase of his life, and at the same time being faced with this monumental work of Elder's so in opposition to his own aesthetic, and inspired, too, by Rabinowitch and other artists, he felt some need to clearly re-assert who he was and to re-state as fully and clearly as he could that visionary self-and appeal to others to try to open themselves to see the things that he could see.W.C.W. That leads me to ask about two related issues. In the Introduction to Domain of Aura Stan refers to the work as fiction, but as you have indicated, it is, to some degree, autobiographical. In fact, he writes at one point, Imagine The Reader and I are now together in this small collegiate town with multiple sizes and shapes of trees, these several hills and what appears 'flats' midst meandering citizenry and mountain-martialedclouds in various rolls-of-weather ... Surely this refers to Boulder, Colorado, where you and Stan lived until you moved to Victoria in 2002. The other issue has to do with what Stan calls the pornographic portions of Domain of Aura. How did you and he deal with the fact that at least some parts of those portions came from letters Stan wrote to you? In my efforts to describe and offer some explication of Domain of Aura, I accepted the premise that the writer's relationship to you, the female reader, was indeed fiction, without any autobiographical relevance. Do you think that is the best way to read the work, or does it incorrectly depersonalize a work of deeply personal significance?M. …" @default.
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• W2467386005 date "2016-04-01" @default.
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• W2467386005 title "An Interview with Marilyn Brakhage concerning The Domain of Aura" @default.
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