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- W2468597806 abstract "At the dawn of video game history, music was nothing more than a series of monophonic beeps, directly contrasting today’s full-orchestral scores. Despite this contrast, music has always been used to colour virtual realities and is an integral component to video games. Video games immerse a player in a reality where music helps establish the setting, emotion, and overall experience of game play. Music in Video Games: Studying Play—a collection of eleven essays by twelve authors—discusses, challenges, and investigates music in video games, providing a well-rounded understanding of the different genres of video game music. The editors organize the collection around two central themes: how music helps immerse players in a video game, and how music allows the player to actively embody her or his avatar. Two essays in this book focus on the use of dynamic music in video games: Neil Lerner’s “Mario Dynamic Leaps: Musical Innovations (and the Specter of Early Cinema) in Donkey Kong and Super Mario Bros,” and Steven Beverburg Reale’s “Transcribing Musical Worlds; or, Is L.A. Noire a Music Game?.” Two additional essays explore silence and sound design in video games: “Wandering Tonalites: Silence, Sound, and Morality in Shadow of the Colossus,” written by William Gibbons, and “Fear of the Unknown: Music and Sound Design in Psychological Horror Games,” by Rebecca" @default.
- W2468597806 created "2016-07-22" @default.
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- W2468597806 date "2015-01-01" @default.
- W2468597806 modified "2023-09-23" @default.
- W2468597806 title "Music in Video Games Studying Play, .Donnelly, K.J, Gibbons, William and Lerner, Neil. New York, Routledge 2014. (xi, 246, 978-0-415-63444-1,38.95.) Music examples, illustrations, appendices, bibliography, index. ** Author must address issues with the format of citations" @default.
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