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- W2470079537 abstract "Between 1876 and 1893, world's fair organizers, officials, and boosters encouraged visitors to distinguish between work of touring an exposition and diversions offered by popular entertainments. Their arguments, presented in magazines, newspapers, and guidebooks, generated a discourse that aligned content of expositions with an evolutionary idea of history. Here, contemporary West was positioned at pinnacle of civilization. Officials encouraged visitors to embody this ideal by performing their roles as fairgoers in a rational, orderly manner, dedicated to learning rather than amusement. The Guide to New Orleans and Principal Cities in South (1885) is typical when it admonishes that the individual who studies not [...] and ignores valuable improvements constantly going on about him day by day [...] is [the one] who gets left in race for competence and comfort. The guidebook suggests that way to counter this process is to eschew pure entertainment, as rest need not be idleness, and instead to study exposition. Despite this uplifting rhetoric, popular performance played a key role in late nineteenth-century American world's fairs." @default.
- W2470079537 created "2016-07-22" @default.
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- W2470079537 date "2014-01-01" @default.
- W2470079537 modified "2023-09-23" @default.
- W2470079537 title "The theatre culture of United States international expositions, 1876-1893" @default.
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