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- W2471539306 abstract "On the one hand, Charlotte Delbo’s trilogy Auschwitz et après aims to enunciate a factual reality and communicate to its readers a certain knowledge or analysis of that reality. On the other hand, beyond its disarming appearance of unadorned stylistic simplicity, it has a rich variety of textual forms and rhetorical figures that ultimately prove to be integral components of the text, which therefore features important literary and aesthetic dimensions. While these two fundamental qualities of Auschwitz et après would seem to be contradictory, if not mutually exclusive, Delbo’s writing seeks to bridge the chasm separating our everyday lives in the twenty-first century from the unspeakable horror of the Nazi camps precisely by mobilizing this complex set of sophisticated rhetorical and aesthetic devices. Since we necessarily approach the past by means of the knowledge, images, and intellectual categories provided by culture, her text provides us important avenues of interpretation by relating our present-day context with that of the historical events. Notwithstanding the pitfalls and obstacles that must be faced in all writing, Delbo’s textual constructions and literary figures connect one of the darkest chapters of history, Auschwitz, with our contemporary world." @default.
- W2471539306 created "2016-07-22" @default.
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- W2471539306 date "2016-01-01" @default.
- W2471539306 modified "2023-10-17" @default.
- W2471539306 title "Charlotte Delbo: Writing the Story of History" @default.
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- W2471539306 doi "https://doi.org/10.1353/wfs.2016.0010" @default.
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