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- W2476514745 abstract "Benjamin’s concept of correspondances introduces the faculty of judgment as pertaining to the realm of similarities. This is a determining capacity, language’s ability to distinguish likenesses, but it is at the same time only one side of the ability that also lets us grasp an image as it flits by. Benjamin creates the concept from Baudelaire’s poem ‘Correspondances,’ which belongs to Spleen et ideal. In its first quatrain, Baudelaire presents nature as a temple whose columns sometimes enounce a confused speech; man, painstakingly making his way through this forest of symbols, is the object of its familiar glances. In the second verse, these glances and utterances receive an answer. Like echoes from far away, there are sounds, colors, and fragrances that intermingle in obscure depths and extend over both night and day, coming not from man as such, it seems, but from his roaming about in nature. ‘Correspondances’ deals with what in Kantian parlance is the matter of sensation: chaotic, manifold, disorganized, or rather not-yet organized sensations, being ‘not-yet’ ordered in time and space.2 These undetermined sensations without form are nevertheless exactly what may answer the obscure pronunciations of nature’s temple — the mumbling muttering which to Benjamin is nothing other than ‘the book of nature.’3" @default.
- W2476514745 created "2016-08-23" @default.
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- W2476514745 date "2013-01-01" @default.
- W2476514745 modified "2023-10-15" @default.
- W2476514745 title "Correspondences: Postal, Political, and Poetical" @default.
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- W2476514745 doi "https://doi.org/10.1057/9781137029942_3" @default.
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