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- W2476936238 abstract "The thematic insistence on the role of the past in the tragedies is displayed to great effect in the extensive and for some even hypertrophic allusive dimension of Seneca's writing. I now want to explore this dimension of intertextuality further. By problematizing the relationship between intertextuality, poetry and the past, I also want to look again at the connection between poetry and passions, and at what implications such connections might suggest for the interpretation of Thyestes and other plays. In the second section of this chapter I will therefore focus again on the Stoics' theoretical discussion of the role of the audience confronted by theatrical outbursts of passion, and in the third section I will investigate how spectatorship is dealt with in the tragedies themselves. The last portion of this chapter will be devoted to an issue which is crucial both within the tragedies and in the possible modalities of their reception, that is, the relationship between this form of drama and epic. I will also look further at possible analogies between Seneca's plays and modern ‘epic drama’, which may be characterized by the particular mode of reception it demands and purports to foster. Can Seneca's theatre be considered ‘epic’ in any Brechtian sense? Was his notional audience predicated on a similar set of presuppositions?" @default.
- W2476936238 created "2016-08-23" @default.
- W2476936238 creator A5049724801 @default.
- W2476936238 date "2003-09-25" @default.
- W2476936238 modified "2023-09-26" @default.
- W2476936238 title "The poetics of passions" @default.
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- W2476936238 doi "https://doi.org/10.1017/cbo9780511482373.008" @default.
- W2476936238 hasPublicationYear "2003" @default.
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